The Amiga computer was launched in 1985 as an advanced personal and gaming computer. Many hobbyist computer programmers, graphic artists, and musicians took hold of this platform and created spectacular programs to show off their talent and the Amiga’s capabilities. Over the past several decades, many talented individuals created amazing works of art unseen and unknown to world outside the small Amiga computer and demo scene. The Amiga only survived for a decade, but these demonstrations will live on forever.

“MindCandy Volume 2: Amiga Demos” was a DVD project by Hornet, Fusecon, and Blue 7 Media, started in 2003 and completed in late 2006. Free preview discs were given away at the Assembly 2005 demoparty, featuring an Amiga Workbench-style menu (you can still get the preview .ISO, search for “mindcandy” at www.scene.org). The final DVD was officially released on January 16th, 2007.

Over five years later, as of May 1st, 2012, MC2 has officially sold out! To celebrate the occasion, we are releasing both the PAL and NTSC versions under a Creative Commons license. Details of the license are below.

This archive contains the same full dual-layer .ISO image that the retail disc contained, including the layer break in the right place. Also included are the DVD case cover, the full booklet, and even the images we used for our stickers. So if you missed your chance to experience MC2, fret no more! We’ve also thrown in some reviews we got from Amiga Power and c’t magazine.

We had to capture RGB video in as good quality as possible (the video had to come directly from the Amiga RGB port) using 2004-era technology on a small budget, including an uncompressed workflow to avoid any generational artifacts. The NTSC video is 720×480 @ 29.97i (interlaced) while PAL is 720×576 @ 25i (both in 4:3 aspect ratio). MC2 was mastered for CRT tube televisions, but should still look great on any output device.

MindCandy Volume 2 was a very successful release, having sold 3000 copies (1000 NTSC and 2000 PAL). The sales of MC2 provided the seed money to make MindCandy Volume 3, our Blu-ray high-def follow-up to our first PC volume, so the project gave back to the scene community not once but twice. MindCandy Volume 3 is still available – visit http://www.mindcandydvd.com/3 to get your copy!

We hope you enjoy MindCandy Volume 2 as much as we enjoyed making it.

LICENSE:

The work “MindCandy Volume 2: Amiga Demos” (both PAL and NTSC editions, including the print materials in the archive) is made available under an Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0) license.

This license allows you to freely copy and view the work provided you do not sell it, attempt to transform it, or reference it without attribution. For more details on this license, please visit: http://creativecommons.org/licenses/by-nc-nd/3.0/

Read the release NFO:

http://scene.org/file.php?file=%2Fdemos%2Fcompilations%2Fmindcandy_2_final%2Fmindcandy2.nfo&fileinfo

Download the DVD from:

Legit Torrents: http://www.legittorrents.info/index.php?page=torrent-details&id=a9f35c70b29708bb0af77dad926380aadfad483b

Scene.org: http://scene.org/dir.php?dir=%2Fdemos%2Fcompilations%2Fmindcandy_2_final%2F

MindCandy 3 takes these poetic programs of the computer world to the next level: Each of the demos has been optimized scene by scene or even rewritten just for MindCandy (thanks to ryg, Haujobb, Satori, Cubic Team) in order to achieve perfectly smooth 60 frames per second in a mind-blowing “better-than-realtime” visual quality on HD video. It will push the limits of your Blu-ray player and HD(TV) with its spectacular audio-visual effects. MindCandy 3 is a best-of-the-best look at what imaginative amateur programmers, musicians and graphic artists can do with an off-the-shelf personal computer. The demos produced are often shown at parties throughout Europe, and are created to push the PC to its limits while impressing the audience.

The included 3.5 hours playback of demos include…

The Popular Demo [Farbrausch],   Stargazer [Orb & Andromeda],   1995 [Kewlers & mfx],   Wir Sind Einstein [United Force & Digital Dynamite],   Iconoclast [ASD],   Masagin [Farbrausch & Neuro],   Ix [Moppi Productions],   Track One [Fairlight],   Lifeforce [ASD],   Final Audition [Plastic],   Size Antimatters [ASD],   Electric Kool-Aid [Synesthetics],   Theta [Farbrausch],   Deities [mfx],   Passing [Still],   Only One Wish [Fairlight & The Black Lotus],   Bombman [Matt Current],   Nazca [Cocoon],   You Should [Haujobb],   We Cell [Kewlers],   Faded Memories [Farbrausch],   Instant Zen [Synesthetics],   Onwards [Traction],   Metamorphosis [ASD],   Midnight Run [ASD],   Route 1066 [UKScene Allstars],   Agenda Circling Forth [CNCD & Fairlight],   Aether [mfx],   Ferner [Still],   The Beauty [Einklang.net & Extrawelt],   Inflorescence [mfx],   Vokawardoai [Satori],   Chromosphere [SQNY],   Debris [Farbrausch],   Rupture [ASD],   Frameranger [CNCD, Fairlight, & Orange],   Shad 3 [Cocoon],   Into The Pink [Plastic],   Happiness Is Around The Bend [ASD],   Rove [Farbrausch]

In addition the Blu-Ray disc exclusively contains 6.5 hours of extras including these demos …

Frameskool [Equinox],   Heaven Seven (in HD) [Exceed],   Chaos Theory [Conspiracy],   Panic Room [Fairlight],   Elevated [RGBA & TBC]

Both region-free Blu-Ray and DVD discs are sold together in a single package for the introductory price of €16 or around $22 USD. They can be bought from the 16 year-old German online retailer, MAZ Sound Tools. I imagine USA based sellers will be announced soon.

http://www.maz-sound.com/index.php?show=product&id=49

These credits have been broken down into four sections, writers, coders, musicians and artists. The writer credits are not only given out to authors but also to interviewers and interviewees. While the artists category includes image creators, 3D programmers and font designers.

So far we have over 1,200 different people listed but the list is quite incomplete and likely to contain some typographical errors and duplications. Another potential problem is that many artists have used multiple aliases and even 2 letter initials rather than complete aliases when signing their works, which makes it too time consuming for us to accurately correlate the correct authorship for many files.

Persons are now also baked into our search engine, so if you do not feel like trawling through huge lists of aliases you can instead type an alias into the search dialogue.

Here are a couple of people pages to get started with.

The artist H20 who is known for his distinctive logos.
http://www.defacto2.net/person/h20

The programmer Hitchikr who has been the key figure behind some of the best scene crack-intros ever created on Windows.
http://www.defacto2.net/person/hitchhikr

The musician Maktone whose late 1990s tunes conjures up a slight nostalgia to a more naive scene.
http://www.defacto2.net/person/maktone

The personality The Renegade Chemist, whose longwinded ramblings often instigated both distain and laughter in equal dosage.
http://www.defacto2.net/person/the-renegade-chemist

The search results for the prolific programmer Hetero who has been going strong since the early 1990s.
http://www.defacto2.net/search/result?searchterm=hetero

Thanks to the efforts of Jason Scott the Warez Scene Notice Collection now has a permanent home on archive.org. You can download a copy of this horribly large 2GB RAR archived collection at http://www.archive.org/details/warez-scene-notices-2006-2010. The collection and others like it (LSD-notices etc.) has been floating around for over a year on various dubious distribution channels so it is great to see it has a more stable home.

The assortment of files contains a hoard of public and private scene notices mainly comprised of audio, video, images and text. To be honest there is not much from the underground scene in there and large tracks of the collection cover notices for foreign language groups, torrent sites, news groups, websites, p2p and the other trickle down distribution means.

It will probably become more of a historical interest in a decade or two.

Listing magazines via the Arts & Files tab.

The easier way would be to select the Organisations tab and then apply the Magazine Publisher filter. This will then only list the current 67x organisations who have published a magazine, often self-titled. You could browse through these organisations and find the magazines titles you were chasing.

Filter to only display magazine publishers in the Organisations tab.

Scrolling down to The Game Scene Charts

Displaying the organisation page for The Game Scene Charts

Chrome users can use their address bar to immediately search us. After visiting the site for the first time they simply need to type defacto2.net and then a space or a tab to bring up the Defacto2 search as shown in the capture below.

Chrome auto-search example.

Firefox users can quickly add Defacto2 search to their search bar. When visiting defacto2.net they can Add Defacto2 to their collection of site search engines.

Firefox search bar example.

As mentioned this revision has been in the works for years and in fact it is probably the 4^th attempt at this goal. Previous updates were abandoned due to interruptions and ill conceived over complex design choices that had led to unfortunate dead ends. Thankfully that was not the case with this current implementation where we applied the kiss philosophy otherwise known as keep-it-simple-stupid.

Browsing the Eagle Soft Corp page

So besides the obvious aesthetic changes what has been improved?

• Defacto2 operates on a unified database that enables site wide searching and the grouping of files.
• Simplified and fastened the site navigation that is located in a single position no matter where you are on the site.
• Identified that the site is primary about the hosted files and we have reorganised the navigation and sections to reflect the most common ways users will look for resources; via authors, via organisations who create (such as art groups); organisations who publish (such as release groups). These are in addition to our traditional type-categories such as crack-intros, documents, nfos, etc.
• Art & file navigation were inspired from well developed search engines such as Bing and Google. We have added helpful drilldown options for filtering files by platform or media type and categories. Example, here are all our nfo tools for windows, our collection of ANSI logos, our video downloads.
• We decided there was no need to reinvent the wheel and so converted the old news section into a blog over at WordPress.
• Integrated contemporary social media with accessible Twitter dialogs, Google+ buttons, Facebook like buttons for individual files and organisations.
  For usability we have incorporated key visual elements from the hosted files to the site including large thumbnails, preview captures, document captures, file_id.diz displays and live YouTube embedding. This detail page for an intro for Origin by SAE is a good example of these features in use.
• File detail pages contain extra features such as the file md5 checksum; the listing of files and directories in archive packages; text, program and image content previews and a bug report submission form for user corrections.
• Art & files now have expanded credits that support multiple writing, programming, art and music authors as seen in this publication from Affinity.
• Programmed the site using common web standards with the goal of making it usable with non-traditional computing devices including touch tablets and smart phones.
• A much improved upload and file submission system that now adds much more automation and speed to the file upload approval process. Users can provide their own screen captures and data for the submission.
• A common help section that keeps all our in-house resources and how-to’s in a general area.
• In-house site search that scans and pulls results directly from our database.
• Site wide HTTPS support for encrypted browsing.
• A liberal copyright license – Creative Commons Attribution 3.0 Unported Licence.

One of the real originals (in every aspect) from among others Rebels and Absolute Oktan (Absokt) has left us. Shortly after suffering of a stroke, E-Buzz quietly and in no pain walked over to the other side.

Gone but NEVER to be forgotten.

- zIPE.

In late July Jason Scott producer of ground breaking BBS Documentary and maintainer of textfiles.com conducted an hour presentation at the famed DefCon 18 hacker conference. As the title suggest he used his allocated slot to gloss over three decades of piracy evolution using sources donated to him as a computer historian.

What I found most entertaining of this hour talk was his attacking of the reactionary anti-piracy movement and Jason near-mocking the pirate scene’s aggressive self cannibalisation. It lead me to believe he was attempting to convey a striking similarity, of today’s anti-piracy agendas with those of many decades past where history maybe just repeating itself.

Jason’s hour long talk was recently posted online on his Vimeo account.
http://vimeo.com/15400820

Vimeo, http://vimeo.com/15400820